Hello! After many weeks of warm summer days, the weather is unsettled now and I love it! Wind, fresh air, alternately rain and sunshine, and wild skies.
It’s not just the weather that’s unsettled, though, but me, too. I think it has something to do with my birthday last Monday. I celebrated it during the weekend with my nearest and dearest. There were gifts, phone calls, letters, cards and other messages, and a lovely walk on the day itself. The walk partly followed an old, old road hollowed out by people, cattle and carts passing along it during many centuries.
I feel truly grateful and blessed. And yet…
I am 62 now. My mum died at 66. Although there is no reason whatsoever to assume that I will not live longer, there is an inner voice that says, ‘You’d better get a move on!’ Oh, okay, but… with what and how? I think I need to have a chat with this voice someday soon to get clarity.
In one area of my life I do know exactly how to get a move on. At present, I have 6 projects on the go that are almost finished: a child’s pullover, a cardigan, a scarf, a shawl, a big spinning project and a small felt project.
Usually, I’m fine with working on multiple projects simultaneously and taking a long time over them, but now I feel the urge to finish them. More about them (in as far as they are interesting enough) over the coming weeks, I hope.
For now, there is one more thing I’d like to share with you. I was given the sweetest little box as a birthday present. It contains 36 ‘Trust Cards’ with illustrations and affirmations by Dutch artist Esther Bennink.
Technology isn’t advanced enough yet to let you pick one for yourself, so let me pick one for you – this is the picture on the front:
On the back it says:
I choose to enjoy the little things
I wish you a week with many little things to enjoy. To start with, here is one from our garden.
Hello! The heather is in bloom. It is cloudy, but with no rain forecast and just a light breeze it’s an ideal day for a cycling tour. Would you like to come along?
Ah, I see you’ve brought your own lunch, thermos and snacks. Perfect! I have a bicycle exactly the right size for you so hop on! I hope you don’t mind that I’m not very talkative today.
Lunchtime!
Rested? Let’s get back on our bikes for the second half.
Back home!
Wel, it isn’t my home or yours, but it’s somebody’s home. Wouldn’t you love to be able to time-travel back to 1813 and spend a day here when the house was new?
We covered 35 kilometres today. I hope you enjoyed the ride and hope to see you again soon!
Hello! Come and walk the Welly Path with me today. For most of the year wellies are essential, but in high summer other sturdy shoes are fine, too. As I promised last week, I’ll keep quiet so that you can hear the wind whispering in the reeds, the reed warblers warbling and the insects humming. Be prepared to ferry yourself across several waterways and enjoy the walk!
We have been photographing lots of insects lately. Well, let’s be honest, ‘we’ mainly means my husband – he is much better at it. But sometimes I’m lucky and get a good shot, too.
Let’s zoom in – bzzzz – and wow, look at that huge eye!
Because of the size and shape of its eyes alone, it must see the world totally differently from us. Looking at insects through the lens of my camera made me stop and think. We share our world with so many creatures we don’t even know exist. Of course I know that there are bees and bugs, midges and mosquitoes, but when you begin looking at them properly a whole new universe opens up. These creatures also have (love) lives…
They are busy gathering food, caring for their offspring, developing and going through different stages in their lives.
Different life stages of a six-spot burnet (above)
I wonder, if I were and insect, what insect would I be? To find the answer, I took a test. Turns out I’m a bee. Hmmm, yes, I’m always busy as a bee. But living in a big colony? Everything in the service of the Queen Bee? That’s not really me.
But wait, not all bees are honey bees. There are also bumblebees. Me, bumbling around? Not really. No, come to think of it, I’m more like a wild solitary bee. And then my husband came up with the answer: I’m a wool carder bee! (Thank you for the wool carder bee photos and info, sweetheart.)
In our garden they visit the hairy lamb’s ear plants…
… to scrape ‘wool’ from the leaves, roll it up and use it for making their nests. Here is a close-up of a wool carder bee with a ball of ‘wool’:
A wool carder bee, that’s me to a tee. How about you? What insect are you? Are you a grasshopper?
Or a butterfly? (Are butterflies even insects? There is so much I don’t know yet.)
A bee like me, or a different insect altogether? The British Natural History Museum has developed a fun quiz to help you find out.
Well, I’m buzzing off to add some woolly things to our nest. I’d love to hear what insect you are!
Hello! While some of you have been melting in a heatwave, we have had extremely variable weather with strong winds, sunshine, rain, thunderstorms. One moment the sky was bright blue…
… and the next dark clouds gathered and the rain pelted down.
In other parts of the country, the storms uprooted trees and caused other havoc. Here, the wind only tore off some pears in our back garden.
On the whole, it’s been great knitting weather. Between the showers I’ve taken my knitting outside for some pictures. I’ve started on a Norwegian cardigan.
The pattern is in Kofteboken 2, by Lene Holme Samsøe and Liv Sandvik Jakobsen. This beautiful and inspiring, partly linen-bound book contains patterns for 27 sweaters, mostly cardigans with a few pullovers thrown in. There are patterns for adults and children as well as some background stories about designers, motifs, yarns and history. One of the great things about the book is that many of the sweaters are shown in several sizes, colours and different yarns.
It is in Norwegian, but as a knitter you’ll probably understand most terms and the photography is so clear that the sweaters can almost be knit by looking at the pictures alone. The authors’ website can be visited here, and the book can be found here on Ravelry.
The cardigan I’m making is called Lang Yndlingskofte, it is knit from the top down and has a yoke with bands of motifs in two colours. This is what it looks like in the book:
Question marks:
Knit a 5-stitch or a 7-stitch steek? – Answer: 5-stitch steek as per pattern
Shorten cardigan (considerably)?
Add pockets?
Buttons on entire front as in pattern or just on yoke?
Knit on facing to cover steek stitches or cover them with ribbon?
The yarn I’m using is CaMaRose ‘Økologisk Hverdagsuld’ (100% organic wool, 150m/164yds/50g).
The pattern gauge for the Yndlingskofte is 22 sts to 10cm/4”. My swatches gave: 22 sts on 3mm/US 2,5 needles and 20 sts on 3,5mm/US 4 needles. The 22-stitch swatch was spot-on, but it felt stiff and I decided to go with the looser 20-stitch gauge. This means that I’ll knit a smaller size that will hopefully turn out the right size for me at this gauge.
I’ve also washed and blocked the socks I wrote about in last week’s post. The yarn used for them is Lana Grossa ‘Landlust Die Sockenwolle’ (420m/460yds/100g) in shade 119, neutrals with bands in the rosy red of our ‘Lipstick’ roses.
The yarn doesn’t have a special starter thread to ensure that both socks turn out the same. Getting them exactly the same is a fun game.
The soundtrack to today’s post is Between the Showers – Irish harp music played by Gráinne Hambley. You can listen to some fragments here. I once attended a workshop led by her, and she told us her name is pronounced something like Gron-yuh (stress on first syllable).
Well, that’s all for today. I hope the weather (and life in general) is kind to you, and hope to see you again next week.
Hello! I hope this finds you all well. Here, after a very wet spring, we’re suddenly having a week of hot and dry weather. Personally, I prefer cool and rainy days, but it is summer after all. We’re halfway through the year, and I’m halfway through my current take-along project – my third Polka Dot Scarf.
I’ve given the other two away. This time I’ve chosen a colour nobody I know likes, so that I can keep it for myself.
I’m also halfway through a simple pair of socks and halfway through a bee-themed embroidery kit.
All enjoyable and relaxing projects, but I’m beginning to feel restless. I really need something more interesting and challenging alongside, but what? My problem is never a lack of ideas. I often have so many ideas that I feel overwhelmed and paralysed. Where do I go from here? Do you know that feeling?
So I do what I always do when I don’t know what to do – write about it. My thinking process is also helped by tea.
After making a long list of the things I’d like to make and considering the pros and cons of each, I have a lightbulb moment. Didn’t I have some kind of plan for 2024? Of course! Halfway through January I made a short list that was meant as a kind of map for the year.
One of the things on it that I haven’t done much about yet is Norwegian knitting. How could I forget about that? Some of you even gave me great ideas for Norwegian books to read, too! Never mind the hot weather, that’s just what I need. It feels good to know where I’m going again.
Last week I wrote that I’m trying to make my posts shorter, and I really won’t ramble on any longer, but I just have to show you where the pictures of the Polka Dot Scarf were taken. It was in a lovely out-of-the-way place, with a hidden, disused lock from the time peat was extracted here and transported to other parts of the country by boat.
Just follow the grassy path below and enjoy a moment of calm in this special place. Xxx
Hello! Today, I’m inviting you to join me on a little outing to do with Drenthe Heath sheep and their wool. Our destination is the Dwingelderveld National Park, a little over an hour’s cycling from our home. Below, you can see a felted(!) aerial view of the park, with purple heathland, green forest and paler felt for the surrounding open fields. The red arrow points to our destination – the visitor centre.
This is the little wooden yurt-shaped model of the building in its felt landscape:
And here it is in real life:
On this special day, the green-roofed visitor centre is surrounded by a small market. As the first visitor to arrive, I’m given the honour of starting the Wild Weaving project, using wool from the flock as well as twigs, grasses and other plant materials.
It’s a start, and I’m sure many hands big and small will add to the tapestry during the day.
Now, let’s take look round the market. There are several stalls with hand-knit items…
… and hand-spun yarn.
One stall with refurbished spinning wheels, and several with items made from felt, like these beautiful felt wall panels by Viltpracht.
And a stall showcasing all the natural colours of the Drenthe Heath sheep fleeces.
This stall holder (sorry, I don’t know her name or website) has an antique carding machine. It probably dates from around 1850. It is basically a wooden trough studded with big tines. Some of the tines can be seen at the front (red arrow).
The wool is fed in from where the person operating it sits. Holding the wooden handle, she rocks the wooden ‘swing’ back and forth over the trough, and the wool is untangled by the tines. It comes out of the carder as fluffy flakes.
The fibres can then be more finely carded and aligned in an ordinary drum carder. Very interesting.
Listen, can you hear them? The sheep are calling us with their baa-ing. Let’s go and pay them a visit – it’s just a short walk from here. Ah, there they are in the distance.
Instead of being out on the heath, doing their jobs as conservation grazers, they’re staying closer to home at this time of year because they have lambs. The longer we stand here quietly, not moving or talking, the closer they come. The ewes of this breed also have horns, only smaller ones than the rams.
Mmmm, sunshine, total quiet apart from the bleating, that special sheepy woolly smell, a soft breeze – bliss.
I hope you’ve enjoyed this little outing. To close off, here are a few links:
The wool market was a one-day event only, but the visitor centre is open all year round.
Hello! I hope this finds you all well. From some of you in the US I’ve heard that you’ve had a thick blanket of snow recently and spring seems far away. Here, March has brought rain and hail storms as well as some milder days. Judging by the flowers and the birds spring is in the air. But judging by the cardigan I’ve just finished winter is around the corner. My knitting is sadly out of sync with the seasons again. Before going on to more spring-like things, let me tell you about it first.
This is the Air Cardigan from Finnish designer Suvi Simola, and the yarn I’ve used is Garnstudio Drops ‘Air’ in Crimson, a beautiful deep and warm red. It is long, oversized and very cosy. Size M is 86 cm (33¾”) long, with 64 cm (25½”) bust width.
The Air cardigan is knit from the top down and the sleeves are knit on. The only seaming to be done afterwards is the sides of the pocket linings. The pattern is very clear and has photo tutorials for several techniques. The one thing I didn’t like about it, is the stretchy bind-off used for the sleeve and body ribbings. Can you see how wavy the bottom is? I painstakingly unpicked it and re-did it using an ordinary bind-off.
What I do like a lot, are the decorative purl ridges on shoulders and upper back. This is where the knitting starts, with a narrow strip with short rows for shaping. From the purl ridges on either side of this strip stitches are picked up for fronts and back. Very nice!
All in all, a lovely design. It is knit on 5 mm (US 8) needles and should be a quick knit for someone who doesn’t have a dozen projects on the go simultaneously. Oh well, when the first chilly autumn days come, I’ll have a cosy cardigan ready and waiting.
And now – spring things!
It’s blossom time. And it’s also wood anemone time.
Wood anemones are not very common in these parts. They mainly grow in ancient woodlands and on historic country estates. Places where it is as if time has stood still and the rest of the world with all its woes and worries seems far away.
Where a distant wind turbine is the only sign of modern times.
In one of these dreamy wood anemone woods many white storks are nesting. When you see them out in the water meadows foraging for frogs and moles, you don’t hear them.
But from their nests their bill clattering can be heard far and wide.
In some places, the wood anemones grow together with wild garlic.
I wouldn’t dream of picking it here, but fortunately we also have a small patch of not-so-wild wild garlic in our garden. And that brings me to a recipe I’d like to share with you – Potato and veg frittata with Camembert and wild garlic (can also be made without wild garlic). Our young hens are so productive that we have of necessity become very creative with eggs. And then there are enough eggs left to feed many of our neighbours, too.
Potato and Veg Frittata with Camembert and Wild Garlic
(Serves 2-3)
Ingredients
500 g potatoes
2 tbsp olive or sunflower oil
100 g green beans
150 g broccoli
100 g cherry tomatoes
4 eggs
50 ml milk
Salt & pepper
100 g Camembert or similar
A small bunch of wild garlic leaves (if you don’t have access to wild garlic, just leave it off or use chives instead)
Method
Rinse the vegetables. Trim and halve the beans, divide the broccoli into small florets and cut the tomatoes in half.
Bring a pan of water to the boil. Add the green beans and broccoli, bring to the boil again and cook for 5 minutes. (If using frozen cook for 2 minutes.) Drain in a colander and rinse with cold water to stop the cooking process.
Peel and cube the potatoes. Heat the oil in a large frying pan and sauté the potatoes on medium heat for 10 minutes (until almost done).
Meanwhile beat the eggs in a bowl with the milk and plenty of seasoning, and cut the Camembert into wedges.
Add the tomatoes, green beans and broccoli, arranging the florets in a nice pattern if you like.
Pour over the egg mixture and place the Camembert wedges on top of everything.
Cover with a lid and leave to cook on low heat until the eggs are set (about 10-15 minutes).
Meanwhile rinse the wild garlic, pat dry and cut into strips.
Just before serving, sprinkle the wild garlic over the frittata.
Hello! Besides finishing this year’s first Norwegian knitting project, I’ve also read this year’s first Norwegian novel. I’ll tell you about both today, and in between I’ll take you on a walk among pine trees. It’s a long post and it’ll have to last you for two weeks, because my mother in law is moving house next week and I probably won’t have much time to write then. Let’s start with some Norwegian knitting.
Vinterkonglegenser The pullover I’ve knit for our grandson is called Vinterkonglegenser, Norwegian for Winter Pine Cone Pullover. It is knit from the top down, starting with a round yoke with a lovely pine cone design. It never ceases to amaze me what a difference blocking makes. While I’m knitting lace or colourwork, I often think, ‘Meh, it doesn’t look attractive at all.’ But I know everything will be all right after blocking.
I didn’t use blocking wires or anything, so I’m not entirely sure I should call it blocking. What I did was soak the pullover in Eucalan for 20 minutes, spin-dry it and leave it to dry flat. Then I covered it with a clean, moist tea towel and hovered over it with the steam iron (on steam).
Instead of picking up underarm stitches, a few extra stitches are cast on, resulting in a hole that is closed later. Seaming it is a little more work, but makes for a nice and strong construction without any gaps.
For the stranded colourwork, I keep one thread in my left hand and the other in my right. And my floats are never longer than 5 stitches. Maybe someday I’ll learn to photograph or film both of my hands so that I can show you the techniques I use.
For our not quite 2-year-old grandson, I knit the size for 6-year-olds, only making the body a little shorter. It turned out exactly the right size for him – weird! I’ll give you more info and links about the pattern and the knitting book it comes from at the end of the post. If you’re ever going to make anything from the book, do swatch and think carefully about the size you need to make first!
We brought the big pine cones in the pictures back from a summer holiday in France. They are from the maritime pines growing in the Mediterranean. Dutch pine cones are much smaller – here they are side by side.
Pine tree walk The pine trees around here are European red pines – the kind you may call Scots or Schotch pine. I’ve read that they can live up to 700 years in Scandinavia. Ours were planted here in the early 20th century, mainly to provide wood for the mining industry. Fortunately they are now left to grow in peace.
Last Sunday we first heard and then saw a raven in the top of one. The picture below isn’t great, but you can see how its neck bulges and its head leans forward when it makes its deep ‘cronking’ sound.
I’m thrilled whenever I see or hear one of these huge black birds. Ravens were nearly extinct here a century ago and I’m so glad they are back.
Our walk also took us to a sheep fold. The sheep were out with the shepherd and there weren’t any lambs yet.
Ah well, another time. Did you notice the wreaths on the shutters in the picture above? They are made from wool from the flock. Aren’t they great?
The Story of Ljot and Vigdis I can decipher a Norwegian knitting pattern, but reading a novel would take me a year so I’m glad there are translations. The short novel by Nobel Prize winner Sigrid Undset I’ve read has two main characters: Ljot and Vigdis. The original title is Fortaellingen om Viga-Ljot og Vigdis, where both get equal weight. It’s interesting to see that the Dutch publisher left rapist Ljot out of the title Vigdis Gunnarsdochter. And even more interesting is how the English publisher reduced strong and independant woman Vigdis to Gunnar’s Daughter in their (probably his) choice of title.
The story is set partly in Norway and partly in Iceland in the Middle Ages. At first glance it looks like a historical novel, but with themes like rape and other forms of violence, marriage problems and how children are affected by their parents’ traumas it could have been set in any place or age. What I liked about it is that nothing is black-and-white, and nobody is either all good or all bad.
Interesting for us, knitters and spinners, is how main character Vigdis is introduced: ‘By the hearth sat two women; one of them was spinning by the light of the fire; she was not very young and was darkly clad, but bright and fair of face. The other was but a young maid, who sat with her hands in her lap doing nothing.’
The young maid is Vigdis, and that she isn’t spinning immediately tells us that she is wealthy and probably spoilt. Spinning wasn’t a hobby back then, but essential for keeping people clad and warm.
Well, I’ll sign off now wishing you a good couple of weeks. Bye!
Links:
The pattern of the Vinterkonglegenser isn’t available through Ravelry, but some info and other people’s projects can be found here.
More about the knitting book the pattern comes from can be found in this blog post.
Some (but not nearly all) other patterns in the book can be viewed here.
This week we’re having a wintry spell with sunshine, blue skies and even a sprinkling of snow. Such a relief after all the rain we’ve had. On the whole I’m fine with rainy days, but three months of them is a bit much even for me.
On a glorious frosty morning, before we set off for a walk, I popped the four colourwork hats I’d just finished into my backpack for a photo shoot. Before going into the actual hats, this is the yarn I used:
Four skeins of Rowan’s Felted Tweed in the shades Rage, Clay, Cinnamon and Black (from left to right). I like it when manufacturers give their shades names instead of just numbers. The pattern I used is the Colorwork Cap (here on Ravelry). Four skeins make four of these hats when a different shade is used as the main colour for each of them – very economical.
Three of the hats were knit as per pattern. For someone with a smaller head who likes her hats to be closer fitting I made the fourth one (with red as the main colour) shorter. Here they all are in a row in the snow.
The difference will become clearer when you see me wearing them. The original hat is fairly tall. It has a wide colourwork section and a crown with decreases in four places.
The smaller hat has the same ribbing and colourwork band, but decreases in six places and consequently fewer decrease rows.
Here are the two versions side by side – the black hat with decreases in four places and the red one with decreases in six (click on images to enlarge and take a closer look at the decreases). The red hat would have fitted more smoothly over the head if I’d left off part of the colourwork and spaced the decreases out over more rows, but I didn’t want to do that and am happy with the way it turned out.
The photographs were taken in an area with shifting sands that is officially called Aekingerzand, but we call de Kale Duinen (the Bare Dunes). As children this is where we went on our annual school outing, to play ball games and sunbathe on our beach towels. It was like a day on the coast minus the sea. Here is an impression of what it looks like on a winter’s day.
I hope you are keeping well and warm (or cool, for those of you in the Southern Hemisphere) and have had a good start to the new year. The four hats will soon be on their way to their new owners. One more project to finish and then it’s time for something new. I’m bursting with ideas and am looking forward to sharing them with you again this year.