inspiration

Lilla Ull Huset

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Hello!

Sit down and enjoy the moment, the wooden sign at the top says in German. It was placed behind a stone bench along a hiking trail in Das Bergische Land, an area about 45 km east of Köln/Cologne. We’ve just spent a week there, and I have so much to show and tell, especially for the knitters among you. I hope you have some time to sit down and enjoy this moment at your computer, or in a lazy chair with your tablet or mobile.

The people we rented our apartment from had the most amazing garden. It was private…

… but we were allowed to spend as much time in it as we liked. This is a view of the garden from the veranda at the top:

There was a woodland walk, a vegetable and herb garden, fruit trees, roses, herbaceous borders and several photogenic summerhouses and sheds.

So romantic! We didn’t spend the entire week in that beautiful garden, though. Part of our week was spent visiting friends and relatives, chatting and sampling some utterly delicious cakes.

And to burn all those calories off, we also spent several days hiking. Compared to our flat Dutch country, it’s quite a mountainous area, although it doesn’t show much in this picture.

One of our walks was a themed one around Fachwerkhäuser. How I love those beautiful timber-framed buildings. I could fill an entire post with the pictures I’ve taken of them alone and have had a hard time choosing just one.

The first couple of days were warm and sunny, but then the weather changed (sneaking in one more Fachwerkhaus here).

And on a very, very wet day, we decided to go shopping in the town of Gummersbach.

I’d googled a bit beforehand and discovered a yarn shop there called Lilla Ull Huset, specializing in Scandinavian knitting yarns.

It is a veritable Valhalla for knitters, with yarns from Danish Isager, Holst and Geilsk, Norwegian Sandnes, Swedish Ullcentrum Öland, Islandic Istex Lopi and more. I’m adding as many links as I can, so that anyone who wants to can spend even more time drooling over lovely yarns and patterns.

This is a close-up of the Isager section:

And this simple yet stylish striped scarf was knit from a combination of their yarns.

There were quite a few knitted sweaters, scarves and shawls to inspire visitors. This is a soft and cosy Sandnes one – isn’t it fun how they styled it with those over-the-top pearl necklaces?

Below right is Christel Seyfarth’s Mongolia Shawl. And left Isager’s sweater Clouds of Sils Maria.

The sweater is a wonderful Scandinavian amalgam, designed by Danish Marianne Isager, with an Icelandic yoke, and knit for the most part in Geilsk Tweed. I’d love to knit it, especially in this tweedy yarn.

There was also a great selection of books. The entire series of those beautiful Norwegian Kofteboken, many Isager books and also books by designers I’d never heard of, like Susie Haumann, Ditte Larsen and Annette Danielsen.

So, did we drive home with a boot filled with enough yarn to cover all my loved ones in knitting from head to toe? It was tempting, but I’ve been prudent and ‘only’ came home with 3 skeins of yarn, matching buttons and two books. The books are by Annette Danielsen:

Wintertage (left) is a thinnish booklet in German, containing several easy-to-make recipes as well as 7 sweater patterns. And Fynsk Forår (right) is in Danish and contains patterns for many beautiful pullovers and cardigans, as well as fabulous photographs of Danish landscapes, buildings and art.

The designs all look very wearable and have interesting design details, like this horizontal cable along the top of vertical ones on the back of a cardigan.

And last but not least, I found a pattern, yarn and the cutest buttons for a jacket for our grandson.

More about that when I get to it.

Perhaps I should create a map with all the yarn shops I’ve blogged about – that might be useful. Until I find out how and can find the time for that, Lilla Ull Huset and all of the other ones I’ve visited can be found by clicking on ‘shopping’ in the list of tags in the right-hand column on your computer screen (below the ‘Search’ window) or via this link. The only ‘problem’ is that you’ll also need to scroll past a quilt shop, book shop and farmers’ market here and there.

Hope to see you again next week! (I’ll try to behave and keep things shorter then.) xxx

Textile Cycle Tours 2

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Hello, and welcome to the second day at the Weerribben Textile Festival!

Looking through the many, many photographs I’ve taken, making a selection was again a struggle. There were so many beautiful and interesting things to see. In the end, I’ve chosen to focus on the items that have made the most surprising use of materials.

Before we head off, here’s a picture to give you an idea of the landscape we’re cycling through.

We’re on the edges of the Weerribben National Park. It’s my ordinary, everyday landscape of farmland surrounded by hedgerows and small plots of woodland.

The first location we’re visiting is a gallery housed here:

Inside are multiple items by Atelier Vuurwater, a collaboration between a ceramist and a textile artist. You’ve already seen the bowls they call barstjes (cracks) at the top – cracked black raku-fired ceramic with a blue felt lining. And here are two of their urns in the same unusual combination of materials.

There are also several works solely by the textile-artist-half of this duo, Miriam Verbeek. These use only one material (felt), but in a very interesting way. They resemble old black-and-white photographs, but because of the way the felt has been manipulated they give the impression of fading, just like memories fade.

One of the nice things about cycling from location to location is that it prevents what is sometimes called ‘museum fatigue’. At our next stop, there’s this intriguing combination of acorn caps, organza, lycra, glue, wood, cardboard in a work called ‘Golden Days’ by Godelieve Spee.

It is accompanied by a poetic text about autumn and the changing of the seasons.

The next exhibit, by Janny Mensen (no website), uses different materials and techniques again: photographs transferred onto wood overlaid with embroidery. Studying it closely it looks to me like a naked female form in some sort of yoga pose, but I may be wrong. I like how the embroidery stitches resemble pine needles.

Well, time for some lunch. There are no cafés or restaurants along this part of the route, and all benches are already taken by other festival cyclists. So it’s sandwiches on the grass around the next location, I’m afraid. The locations vary from community buildings to private homes, campsites and churches. This is the church at Paasloo.

In one of the pews, there is a row of small cushions by Attje Oosterhuis:

They were made using scraps of antique silk and wool fabrics, lace, linen yarns, card and (curiouser and curiouser) bird’s nests and a bird skeleton (click on images below to enlarge):

The text embroidered in red says: ‘Let us pray for the animals… for the chickens… that they get more space and no flu… for the birds… that they take a detour… for the people… that they chase less growth…’

The next work, by Ilja Walraven, was actually on the route of the first day, but I felt it had to be included here because of the very unusual use of materials and objects: Chairs…

… with wine glasses and beakers filled with bits of sheep’s wool on the seats, arranged according to hue, from dark to light.

Is it art? It looks like it and it was made by a professional artist, so yes, I suppose so. Is it textile art? Hmmmm… And what does it MEAN? Does it matter what box it fits into? Does it matter what it means?

I also wonder why haven’t I seen a single stitch of knitting during these two days. Coincidence? Doesn’t it belong in the category textiles? Doesn’t it lend itself to art? And why do I feel drawn to making useful stuff instead of art?

Some of the things at the Weerribben Textile Festival have raised question marks. Some have made me smile or feel inspired. Others have evoked feelings of nostalgia. Some have even upset me, and I think that’s all good. Because isn’t that what art is all about – uplifting and challenging us?

Well, after this philosophizing let’s end on a light-hearted note, with whimsical collection by Erna Platel, using tins, maps, bits of ribbon and lace, buttons and other haberdashery:

The Weerribben Textile Festival will be held again in 2024. Check out the website for more information.

Textile Cycle Tours 1

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Hello!

Every other year a textile festival is held on our doorstep and I’d never been. High time to rectify that, so this year I gave myself two whole days to cycle the two tours plotted by the organisation. Textile art was displayed in 18 indoor and outdoor locations in and around the Weerribben nature reserve.

Here is my impression of the first day, the route through the peat bog part of the area. From the literally hundreds of pictures I’ve taken, I’ve chosen exhibits that have a strong link with these watery surroundings, although they are by artists from all over the country.

Take these ferns by Rineke van Zeeburg – don’t they look as if they grow here naturally?

Monique Aubertijn made shapes from hessian using crochet and embroidery. Displayed in this location, the ones below look like fish traps from a fantasy film scene.

The same artist who made the big fern leaves from rough hessian, also makes exquisite art quilts. To the left ‘Poisonous Frog’ and to the right ‘Dragonfly’.

She told me that she dyes all fabrics herself. The longer I looked, the more I saw. Dragonflies inside the dragonflies, and machine embroidery that gives the impression of veins on the dragonfly wings and of water droplets around them.

These quilts look very much at home here, where many different kinds of dragonflies flit among the water lilies.

Along the water and opposite a campsite, there’s a strange pillar in shades of rust and blue.

The sign next to it says ‘Roadside Book’. Margriet van Vliet (no website) has created a fascinating object from many of those face masks carelessly dropped along the roadsides in recent years.

To get from A to B I’ve decide to deviate from the official route and follow the ‘100-bridges-cycle-track’ (as I’m secretly calling it) instead. There are not exactly 100 bridges to cross, but there are many.

Halfway along it is a perfect lunch spot. In the reed bed right behind the bench: the song of a reed warbler. In the distance: cuckoo, cuckoo.

To reach the next location, we need to wait for a bridge in the village of Kalenberg. € 2,20 per boat, the sign along the canal says. No debit cards here. The bridge keeper collects the fee in a wooden shoe…

… attached to a fishing rod.

At the next location, two works by the same artist, Helma van Kleinwee, evoked opposite emotions in me. The first one made me laugh out loud.

The second one is so subtle, that I hope you can see it on your screen. It’s a semi-transparent piece of fabric showing two human figures, moving in the wind between two pollarded willows. For me, it is a poignant image of our fragility. It made me think of the song ‘Dust in the Wind’ by Kansas. (The funny thing is that Dutch uses the same word for both dust and fabric: stof.)

Finally, here is a sketch of a tjasker by Monique ter Beeke (no website). Only, instead of charcoal she has chosen machine embroidery as her medium. The edges are sandwiched between layers of irregularly shaped glass. (Click on images to enlarge.)

It’s the same tjasker we’re passing along our route. (A tjasker is a small wooden windmill. In the past it was used for draining the land to make peat extraction easier. Now it is sometimes used for pumping water into the land to prevent it from drying out.)

Usually, I go on outings like these together with a friend. This time I went on my own. On the one hand, that gave me complete freedom, on the other I missed the company and talking about the artworks.

Sharing this day here is a way for me to process everything. I hope it’s also been fun and interesting for you reading this. I’m planning to write about day 2 next time and hope you’ll join me again then.

Gift Leaves

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Hello!

Do you remember my plan to knit all kinds of things from small bits of leftover sock yarn? My plans often take a long time to grow into something tangible, but after the Soothing Sachets here is the second project: Gift Leaves.

I’m calling them Gift Leaves for several reasons:

  • Because I’ve given myself the gift of time to play around with something not exactly useful.
  • Because I’ve written up the pattern as a gift to you.
  • Because the leaves themselves can be given away as gifts.

I’ve made them in three sizes: Small, Medium and Large:

With a length of approximately 6.5 cm/2.6” (excluding the stalk) the large leaves are still fairly small, but quite a bit larger than the small ones of only 4 cm/1.6”.

Fastening the beginning of the stalk to the base of the leaf to form a loop, the leaves can be used as gift tags.

Perhaps knit from the same yarn as the gift inside.

They can be fastened onto a zipper.

Or used to decorate jam jars with tealights inside for a quick, simple, inexpensive little gift.

And a medium-sized leaf with a looooong stalk can become a bookmark. Extra special given together with a book, with the leaf colours matching the book cover.

(The book is A Wood of One’s Own by Ruth Pavey, by the way. A gift I received from a friend.)

Solid colours look good. Self-striping yarn works, too, if the stripes are not too wide and the yarn sections used are chosen well. And I think especially some of those ‘busy’ hand-painted yarns are fun for Gift Leaves.

A free download of the pattern with plenty of colourful photos (in English en ook in het Nederlands) can be found

here on Ravelry

Together with a special skein of yarn, a print-out of the pattern might make a nice gift for a knitting friend, too.

Have fun! Xxx

Soothing Sachets

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Hello! Well, everything went more or less according to plan this week, so here are the lavender sachets I promised you last week. I call them Soothing Sachets, because lavender is not just known for its moth repellent qualities, but also for its soothing scent.

The ones in the basket above are still scenting our home. But they won’t be doing so for much longer, because they are meant for gifts. Let me show them one by one.

This is the first one I made, after several discarded attempts. It is very simple, from self-striping sock yarn.

It closes with a button. Because of the way the sachet is constructed, the stripes are twice as wide compared to a sock.

It was fun rummaging through my button box for just the right button.

All of the sachets use the same basic pattern. The next one is also very simple – colour blocks with a thin asymmetrically placed contrasting stripe.

The stripe is repeated in the button band.

Together with a box of calming herb tea, it’ll make a nice gift for a friend going through a stressful time. It is made from a combination of beautiful plant-dyed mini skeins.

The one below was made from some ordinary mottled sock yarn. A few stripes and garter ridges make it perfect for tucking under a sporty person’s pillow.

In this way even the smallest yarn scraps can be used.

For the next one, I again used colour blocks – this time embellished with a few tiny buttons…

… to match the mother-of-pearl button on the back.

Just the thing for someone’s lingerie drawer, I think. I made it from some of the tiny balls of yarn left over from my first ever published pattern – Tellina.

The Tellina cowl itself would also be a great project for using up some yarn remnants or mini skeins. It can be found here on Ravelry.

The Soothing Sachets have a fabric lining, sewn from small pieces of cotton fabric. No need to buy anything specially – any thin cotton will do, as long as it’s a colour that doesn’t show through the knitting. I used bits of an old pillowcase.

Making a lining sachet may be a bit of a pain for some, I thought, so I tried leaving it out and stuffing a knitted sachet with unspun wool with some lavender in the middle.

It is an option, but I don’t like the result as much as the lined version – its shape is less crisp and its scent is too faint to my liking.

So, why not knit a few first and then spend a cosy afternoon with the sewing machine on the dining table, and all other tools and notions needed at hand, to finish them all in one go?

Finally, here is my Pièce de Résistance 😉. Again made from self-striping sock yarn, but this time with a duplicate stitch heart on the front…

… and corrugated ribbing for the buttonhole band.

Won’t that make a nice gift for a beloved child? (Caution: Sew the button on very securely, or for small children leave it off and close the entire opening.)

Some of you reading this will be receiving one of these small scented gifts in the near future. My gift to the rest of you is the pattern (in English and Dutch). It contains instructions for knitting (including the corrugated ribbing) and finishing the sachet as well as a heart chart.

Click here for the free Ravelry download.

These Soothing Sachets are simple things, but with a bit of creativity they can become great little gifts. Have fun!

PS. Remember to make a few for yourself, too – to tuck under your pillow and keep the moths away from your knitting and spinning baskets.

Colourful Socks

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Hello!

Cycling for the sake of cycling is often good enough for me. But sometimes it is nice to have a destination. One of my favourite cycling destinations is the village of Vledder. It is the home of the museums of Forged Art and Contemporary Glass Art. The museums’ entrance is at the back of the house with the clock.

But that’s not why we are here. Today I’m taking you along to the local bookshop. It is a small bookshop with a great selection of books, as well as postcards, magazines, gift items and artists’ supplies. The sight of their wall of coloured pencils never fails to lift my spirits.

But I’m not an artist and didn’t come to buy pencils or paints. My aim was to spend some pocket money and buy a foreign magazine.

There is a whole host of German magazines with titles like Landliebe, Liebes Land, LandIdee, LandLeben, LandZauber and so on. They all contain luscious photographs of lovely homes and gardens, recipes and articles about all kinds of things to do with the countryside. They are hard to distinguish from each other.

This time I chose Landlust. There was an article in it about a Felt Studio, with colourful photographs that had the same effect on me as the wall of coloured pencils.

There were also several knitting designs in this issue – three sweaters, a dress and a shrug.

I’m not terribly excited by them, but I discovered that the magazine has an extensive archive of knitting patterns and really enjoyed browsing through it. All patterns are free digital downloads in German. (If you don’t want to subscribe to their newsletter, just click the window away when it pops up).

There are also other crafts ideas sprinkled through the knitting patterns in their archives, including some cute cardboard sheep wrapped in wool that would be great to make with children.

The magazine also has its own line of knitting yarns. I have never tried any of them, but I did squirrel…

… away several balls of their sock yarn a while ago. Reading the magazine reminded me of those and I started a pair of socks straightaway, in cream, a rosy pink and watery blues and greens.

The yarn is called Landlust Die Sockenwolle, has 420 m/459 yds to 100 g and is composed of 75% wool/25% polyamide. It looks and feels like most other, similar sock yarns: smooth (not hairy) and hard-wearing enough to be worn in walking boots. (As you know I’m not sponsored, so this is my own honest impression of this yarn).

Some balls have subtle colours and patterns, others come in bold colourful stripes.

I’ll show you what they look like knit up when I come to them.

Well, that brings us to the end of another post. The way back home leads through a village that was awarded Unesco World Heritage status several weeks ago. It is now overrun with visitors. That would be another nice cycling destination and I’ll keep it in mind for some other time.

Bye for now and have a nice weekend!

Scraps and Mini Skeins

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Hello!

Here (above) is my entire collection of scraps and mini skeins of sock yarn. I’m fairly sure most of you will have some stored away somewhere, too. I keep mine in a plastic carrier bag. Not just any old plastic carrier bag, but one from that wonderful Norwegian institution Husfliden. Besides the yarn, it holds happy memories.

In it are two bags filled with sock yarn remnants, more or less sorted by colour.

Because I am allergic to dust mite, I store all my yarn in plastic. Not very attractive, but I just can’t go around wheezing and sneezing all the time, especially now.

Emptying them out, there is a heap of mainly pinks and purples, and another heap of mainly blues and greens.

On my bookshelves there is a book called Color in Spinning.

It contains a lot of information about and inspiration for choosing and combining colours for blending, spinning and plying your own yarns. It works with the colour wheel.

Although I usually choose colours intuitively, it is interesting to look at them within the framework of the colour wheel for a change. Arranging my sock yarn remnants in this way, it looks like this:

A hugely unbalanced colour wheel. Many, many blues. Some bluey greens, pinks and purples. Just one ball of bright yellow (whatever did I use that for?). And hardly any brighter greens, oranges or reds.

My collection of neutrals is tiny, too.

But there is more in my carrier bag. A selection of naturally dyed mini skeins that once entered my house through a subscription. The Natural Dye Studio (which no longer exists) sent me several small skeins in different fibres and colours once every week or so for a while. Here they are, also laid out in a sort of colour wheel.

A very different range of colours from my sock yarn remnants – much more balanced. But here, too, there is a gap in the wheel. Why? Where are the pinks and purples? After some digging, I found the missing section in a different bag.

Although I loved looking at and petting the hand dyed mini skeins, I have never actually done anything with them. I didn’t know what to do with such small quantities (10-20 g each) and some of them were really not ‘my’ colours.

Apparently I did have a plan for the pink and purple section of the colour wheel. They are wound into small balls and numbered. And I even made a colour card. There are no further notes with it, though, and I can’t for the life of me remember what I was going to do with them. Well, never mind. I’ll mix them in with the rest of my collection.

I have very clear preferences, easily summed up as blues…

…and pinks.

But the world would be a dull place without yellows…

…oranges…

And reds.

In many respects, I think the world would be a poorer place without the entire rainbow. But when it comes to knitting, I don’t know.

Although I feel dubious about some of the colours, in a sense I feel like Smaug, with my hoard of yarnie gold.

But unlike Smaug, I’m more than happy to share my treasure with others. In the past, I have given my yarn scraps away to sock yarn blanket and dolls’ clothes knitters. Now I’d like to knit some gifts with them.

I think it’s going to be a real challenge to make something beautiful with these small quantities of yarn. Well, maybe ‘beautiful’ is raising the bar too high. Let’s say something really nice. Gifts that won’t force the recipients to lie about how much they love them.

Will I be able to do that? And will I be able to step outside my colour comfort zone and use those bright green, orange, red and yellow mini skeins? I’m not sure, but I’ll give it a try.

I took the picture below, of a roundabout just outside our village, several days ago. Not my colours in knitting, but on a roundabout? Wow!

Sock Gift Labels

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Hello!

Do you remember our visit to a PYO flower garden about a month ago? And that I started knitting a pair of socks for a friend’s Birthday in early October? Well, I finished them in time.

While I was knitting them, I studied the ball band for information about the composition of the yarn and noticed a circle with the text: ‘Geschenkverpackung auf der Rückseite!’ (It was a German yarn). Gift wrap on back – what could that be? Ah, the inside of the ball band was a gift label!

What a lovely idea! If we’d been speakers of German I would have used it straightaway. But we aren’t, and I’d rather have one in Dutch. So I decided to borrow the idea and make a personalized gift label for my cat-loving friend.

I gift-wrapped the socks, added a Birthday card and mailed them. I think socks are a perfect gift, especially now. What’s nicer than to give someone the gift of warm feet? Choosing the recipient’s favourite colours makes it even better. They fit into a letter box, are fairly lightweight and won’t break during transport.

I enjoyed this simple spot of crafting so much, that one dark and rainy afternoon I got my crafts supplies out again and made more. (If some photos look rather yellowish, it’s because of the lamp light.)

If you’d like to make some sock gift labels too, here’s what you’ll need:

Sock Gift Labels – List of Supplies

  • A pot of tea, mug of coffee or other comforting beverage
  • Calming and/or uplifting music, or blissful silence
  • Thick paper (1 A4-sheet will make 4 labels)
  • Pencil
  • Ruler
  • Clear tape
  • Scissors
  • A flat surface/something to protect your table
  • Any other crafts supplies you have, like: stamps, inkpads, washi tape, markers, felt tips, coloured crayons/pencils, stickers…
  • And one or more pairs of handknit socks, of course!

Start by marking off one or several 25cm (10”) x 5cm (2”) strips, using your pencil and ruler. Cut them out.

Now let your creativity flow! Here is some inspiration.

I started with some very simple ones, using just some washi tape.

Then stamps and a marker in monochrome.

After that, I added in a little colour using washi tape and a coloured ink pad, matching the colours to the sock yarn.

Several days later, I got out my brand new box of coloured pencils to add colour to a few more.

(A while ago, our local supermarket gave out coupons with which we could save up for lovely boxes of coloured pencils and sketchbooks. A nice change from the usual storage boxes and towels. It even has metallics like silver, gold and bronze!)

Adding colour to the stamped motifs was so much fun! On this one, I matched the colours to the sock yarn again.

Sometimes I knit socks with a specific ‘victim’ in mind, and sometimes I just knit socks because I feel like it and will see who they’ll go to later. Adding washing instructions to the label is always a good idea. And in the latter case adding the size is useful, too.

Here are 3 more pairs of socks in shades of blue and green, with labels decorated with stamps and washi tape.

I’ve really enjoyed playing around with my crafts supplies – I hadn’t used them for ages. They made me forget the time and all the woes of the world for a few hours. If you now feel inspired to make your own sock gift labels, I hope it’ll work like that for you, too. Have fun!

Bye for now and lots of love.

Knitting Traditions

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Hello,

Today, I’d like to talk a bit about knitting traditions. I’m not an expert or a researcher, but I am a great lover of traditional knitting techniques and patterns. There are many beautiful and interesting books about traditional knitting, and I’ve built up quite a nice library over the years. These books, as well as various museum collections, have always inspired me tremendously in my own knitting. But lately I’ve been thinking…

It started with a visit to a stunning sock exhibition last November. I was particularly inspired by three samplers with patterns taken from socks from all over the world (photo above), and thought it would be a great idea to borrow from them for all kinds of other projects.

Later, doubts crept in. Can we just borrow freely from other knitting traditions? Anything? From any tradition? When does borrowing become stealing? Or even cultural appropriation? What if a pattern has a special religious or spiritual meaning for the culture we borrow it from of which we may not be aware?

I don’t have the answers. These are just some of the questions that popped into my head.

Well, back to my knitting book library. Sometimes people generously and thoughtfully give me books to add to it. My sister-in-law brought back this lovely booklet from a holiday in the island of Gotland, Sweden, a couple of years ago.

It is filled with patterns for mittens, some with tiny roses, some with blueberries, and many with geometrical motifs.

All of them are beautiful, but are they unique to Gotland? They have a lot in common with Norwegian mittens I’ve seen, and the ones with the roses on the front cover look very much like some Latvian ones.

And here is a picture taken during our visit to the knitting museum in Selbu, Norway.

The 8-pointed star, prominent in the 3rd stocking from the left, is also known as Selburose and has been used a lot in that area. Does that mean that it was invented by the people of Selbu and belongs to them? Do they have a sort of copyright?

No, of course it isn’t as black and white as that. The same kind of pattern appears in textiles from many other countries and cultures.

Take, for instance, these hand-knit mittens I bought during a holiday in Shetland. There is a ‘Selburose’ on the back of the hand, but it looks slightly different knit in colour.

It’s only to be expected that the same kind of patterns and motifs occur in different regions and countries. Some motifs, like the 8-pointed star, flow more or less automatically from the nature of the knit stitch itself. Besides, Shetland isn’t all that far from Norway and there has always been a lot of trading and traffic between them.

Both have great knitting traditions, and there are similarities. But still, Shetland knitting isn’t the same as Norwegian knitting. They both have colourwork, but it’s different. Shetland has a fabulous tradition of lace knitting that Norway doesn’t have. Norway has thick mittens, while Shetland mainly has finer gloves. And Shetland has hap shawls, while Norway doesn’t. Why? Another question I can’t answer. I can only guess that it’s something to do with the materials available and the climate, as well as with local tastes.

Here are 3 of my favourite books about Shetland knitting: Heirloom Knitting (about Shetland lace), Fair Isle Knitting and Shetland Hap Shawls Then & Now.

Classics on the subject, but none of them written by authors from Shetland. Fair Isle Knitting was written by Alice Starmore from the Hebrides, and the other two by Sharon Miller from Devon. What do knitters in Shetland think of that?

I once knit a ‘Shetland’ hap shawl. I am placing Shetland between parentheses here, because it isn’t very authentic.

The wool is from genuine Shetland sheep, bought in Shetland. But, for one thing, I am not from Shetland and I spun the yarn at home in the Netherlands. For another, I used a pattern called Quill by American designer Jared Flood. It’s a hodgepodge. Is that okay? Or should we aim for more authenticity? And what exactly is authenticity?

I don’t think I’d be bothered about these questions so much if I lived in a place with a great knitting tradition, like Shetland or one of the Scandinavian countries.

And if I had grown up in a fabulous and colourful knitting tradition as that of Muhu Island in Estonia…

… I think I would be content with that, knitting within my own tradition happily ever after. (Photograph in Designs and Patterns from Muhu Island, by Anu Kabur, Anu Pink and Mai Meriste, p. 45).

But what if you live in a country without such a great knitting tradition? And at that my thoughts turned closer to home. Do we have a knitting tradition at all in the Netherlands? What kind of knitting did I grow up with?

To start with, I remembered a lot of acrylic, in orange, brown, purple and fluorescent green. But thinking about it a little more, I realized that even though our knitting tradition is not as impressive and extensive as that of some other countries, we do have a few things. There’s the Dutch heel for socks, for a start. We also have knitted lace caps for traditional costumes in some areas. And we have traditional ganseys (sharing many elements with English ganseys).

We also have Grolsche wanten – mittens with Norwegian-looking star patterns. Not bad, really. What else do we have? And then I suddenly thought of what I found in my parents’ attic.

To be continued…

Treasure Hunting

by

While I was folding laundry at our dining table, my eye was suddenly drawn to the wicker chair on the left. The sun slanting through the back of the chair made a lovely pattern of small triangles on the seat.

I grabbed my camera and took a few pictures.

Wow! Maybe I could translate that into a piece of knitting. Lace, perhaps, or some colourwork?

This period of staying at home has made me look at my immediate surroundings more closely.

The wooden fence at the back of our house had always been just that – a wooden fence. Until recently. Looking out, I suddenly noticed how the grazing light made the patterning in the wood stand out beautifully.

Again, I see potential for knitting in it. What if I tried to replicate it in two-tone brioche?

In the living room, I looked at the feathers on the back of a wooden raven through the lens of my camera.

Wouldn’t those look wonderful as cables in a tweedy yarn?

Walking around with a camera in hand, can be like a treasure hunt. On the spectrum of hunter-gatherers, I’m much more a gatherer than a hunter, as I wrote here. I usually just take pictures of things that draw my eye, and then sometimes a pattern or a theme emerges afterwards. That was what happened when I wrote, for instance, Shades of green.

But it can be fun to actively go hunting for treasures, too. One day they could be things in a certain colour, the next day things with interesting patterns, and the day after that things with a particular shape, say circles.

Bread rising basket
Old pudding basin

I don’t know anything about photography. I have a small camera that easily fits into a jacket pocket. It’s of a type that’s often called point-and-shoot, and that’s what I do with it – point and shoot. Although it has lots of other features, I always have it on AUTO and only zoom in or out. For the rest, I let the camera do the work.

I don’t know anything about photo editing either. The only editing software I use is the programme provided by Microsoft. I don’t even know what it’s called. I can straighten the horizon if necessary, rotate photos, make them darker if they’re overexposed, and cut off bits I don’t like. That’s all.

Being a seriously good photographer takes a lot of dedication, practice and know-how. But enjoying taking pictures doesn’t. Photography can be a lot of fun, even for somebody who doesn’t know anything about it. You don’t need any fancy equipment – a small camera or even a smartphone will do. And you don’t need to travel far, either. I didn’t leave the house for any of the pictures here.

Standing in the front door opening, I photographed the roofs of the terraced houses across the street.

The tiles make an interesting pattern in themselves. But when I closed the door and looked in the same direction through the frosted glass the result was simply amazing.

It made me think of the lozenges in Argyll knitting.

Treasures (and knitting inspiration) can be found everywhere and anywhere.

Take care! xxx