Knitting

Places to Sit and Knit 5

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Hello, and welcome to the 5th instalment in the VERY irregular series Places to Sit and Knit (the last instalment was published nearly three years ago, crikey!). To get to today’s place, we first need to walk a short way along the path on top of Steenwijk’s old town ramparts. They date from the Eighty Years’ War (1568-1648).

After last week’s post, my husband said, ‘Your readers must get a very strange picture of our country with all those old buildings and idyllic spots. No industrial estates, no modern apartment blocks, no motorways.’ This brought me up short. Am I being untruthful? It is not my intention to paint a false picture, but, well, take the photo below:

From the top of the ramparts, I could have pointed my camera downwards and photographed a parking space with cars, old garage doors and wheelie bins. Or upwards towards the rooftops and the sky. I happen to prefer the latter. I also enjoy taking you (and myself) to places that bring a sense of joy and/or peace. I hope you don’t mind my giving you an incomplete picture. Perhaps we can call it being selective?

A little further along the ramparts, I am pointing my camera downwards, for an overview of a small park called De Nettelbosch.

The red arrow points to the bench that is today’s Place to Sit and Knit. Sitting on the bench, this is our view – the Nettelbosch itself, a shopping street and the spire of the St Clemens Church:

The knitting project I’ve brought is the first of a pair of Imker socks. Another pattern from that wonderful book 52 Weeks of Socks (for anyone not on Ravelry, an overview of the patterns in the book can be found here.) Socks with all-over cabling that will keep me on my toes.

The yarn I’m using is Onion Nettle Sock (50 g/202 yds/185 m), made from 70% wool and 30% nettle fibre. This (and the fact that I had an errand here) is why I’ve chosen this spot to sit and knit – Nettelbosch means Nettle Patch, which is what it was before it was transformed into a public garden. Ah, it’s lovely to sit here, knit a few rounds and look around. There is a witch hazel with vibrant yellow flowers, fresh green shoots are appearing, and the rhododendron already has fat buds.

No need to feel embarrassed about knitting in public, because there is nobody else around. Do you feel comfortable knitting anywhere? I don’t, although I’ve only ever had positive comments.

There are so many things I’d like to knit and make, that I often find it difficult to choose. And then more project ideas come along on Ravelry and in newsletters to distract me. That’s why this time I’ve made a looooooong list of possible projects. Getting them out of my head and onto paper felt better straightaway. Then I chose several to focus on this spring and put all of the materials together in a box.

Yarn for two cardigans and several small projects, some spinning fibre and some fabric and ribbons. And then there are the socks and the wee Norwegian pullover on my needles. Far too ambitious? We’ll see…

Well, that’s me nattering on about my making. How about you? What do you have on your needles? Or do you crochet, embroider, quilt, spin, felt, paint, draw? How do you choose? Do you have multiple projects going on simultaneously or do you focus on one at a time? Any suggestions for great patterns to add to my long list? I’d love hearing from you in a comment, but if you don’t feel comfortable commenting that’s fine, too. You’re always welcome to just spend some time here. Well, it’s time to go. Hope to see you again soon!

Spring 2025

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Hello! Today, spring has officially sprung and it really feels like spring here, too. Our crocuses that have done so well this year have finished flowering. Now the scillas and miniature irises are in bloom, and the grape hyacinths are poking their heads above the ground as well. The daffodils in our garden are still in bud, but I saw some blaring their trumpets in Zwolle the other day.

They literally brightened up a dark and cloudy day.

The daffodils grew next door to the bookshop I was visiting for some gifts. In the fantasy novel section, I leafed through a fantastic knitting book – The Fellowship of the Knits: The Unofficial Lord of the Rings Knitting Book. It contains 27 amazing patterns by many different designers. I would not particularly want to knit a Gollum softie or a pair of mittens with Sauron’s scary watchful eye on them, but I find the Elven Armor Pullover absolutely stunning.

After that dark day in Zwolle, the sun began to break through the clouds.

And now it is gloriously warm and sunshiny weather. Perfect for some gardening. I’ve been pruning and weeding, and have sown some edible flower seeds.

I have also started on a fresh springtime knitting project – another sweater for our grandson. It is a bit like a blue sky with puffs of white cloud.

The pattern is Nordsjøgenser from Sandnes Collection 73 Norwegian Icons for Kids.

There isn’t a single sweater in this pattern collection that I wouldn’t like to knit. Besides looking adorable on the models, the pullovers and cardigans also look interesting to make – some with round colourwork yokes, some with all-over patterning and some steeked.

The yarn I’m using is Babyull Lanett, a 100% wool yarn, but so fine and lightweight that it’s ideal for springtime knits. Ah, spring, lovely spring. I’m fine with winter and don’t mind dark and cloudy days, but basking in the light and warmth of springtime sunshine is truly wonderful and relaxing.

Wishing you a wonderful and relaxing weekend, whether spring has sprung where you live, too, or not.

Sundborn and a Hand-Sewn Steek

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Sundborn

‘Var välkommen kära du, till Carl Larsson och hans fru!’ it says above the front door of Lilla Hyttnäs in the Swedish village of Sundborn. ‘Welcome to the house of Carl Larsson and his spouse!’ A warm welcome to the house that Carl and Karin Larsson made into such a special place, Carl with his paintings and Karin with her textiles.

Carl and Karin in a detail of Carl's painting When the Children have Gone to Bed.

Carl is best known for his watercolours of family life at Lilla Hyttnäs. In the house itself, beside all kinds of other decorations, he also painted his family on walls and doors.

Karin was a painter as well, but after getting married and having children she poured all of her creativity into embroidery and weaving.

Walking through and around the house, I was amazed by everything they achieved while raising eight children. Below, a photograph of their living room from the outside, with a bird decoration by Carl between the windows.

After my first visit, in the early 1980s, I had a postcard of one of Carls paintings on the wall of my 6 m2 student room for a long time. It was the well-known painting of the interior of the Larssons’ living room with one of the girls watering the plants.

In her cardigan book Koftor, knitwear designer Maja Karlsson tells us that she spent some time at Lilla Hyttnäs studying the colours and patterns of Karins textiles, and that this inspired her Sundborn cardigan design. She photographed the cardigan in the same living room, with the model watering the plants just like the girl in Carl’s painting. The stars in the cardigan’s yoke echo the stars along the edges of Karin’s blue-and-white table cloth.

I thought it would be fun to photograph my Sundborn cardigan in the same way. Only in our own living room instead of at Lilla Hyttnäs. The little red wooden Dala horse on the window sill is a souvenir of my second, more recent visit to Sundborn. And now I also have the cardigan to remind me of that wonderful place.

At this point, I’ll say goodbye to the non-knitters among you. I quite understand that you’d rather do something else than read about cutting a pullover open to turn it into a cardigan. See you again next time!

A Hand-Sewn Steek

For those of you who are interested, let’s dive into steeking. In this case, I knit the button bands on first, before cutting the steek.

Instead of machine-sewn steek reinforcements, I wanted to use hand-sewn seams this time, but wasn’t sure how to go about it. Fortunately some of you came to the rescue. Helga checked the Swedish version of the pattern book and confirmed that the designer uses machine sewing thread. Angelique said that the seam might become too tight using machine sewing thread. I have never liked the idea of synthetic seams in my woollen sweaters anyway, so that was out. She also suggested trying things out on a swatch first, and that was what I did:

As an experiment, I sewed a back-stitch seam using the same yarn used for the cardigan (Léttlopi) on one side of the centre stitch and on the other using a thinner yarn (Jamieson & Smith 2-ply jumper weight). The Léttlopi was on the bulky side; the thinner yarn worked better, as L. had already predicted, so I used that on the cardigan.

L. also advised ‘piercing every row’s stitches’ and to be on the safe side I did that as well. Then, using my small embroidery scissors and holding my hand between front and back, I cut the steek.

The steek stitches looked fairly stable after cutting. (Below, the blue line through the centre of the pink stitches is one of the hand-sewn seams.)

But I’m glad that I pierced through the yarn of the knit stitches while back-stitching the seams, because at the top end the knit stitches did fray. With the extra strong reinforcements they wouldn’t unravel any further.

Finally, the steek stitches were folded over and stitched into place using whip stitches on the inside. Very neat!

All in all, I’m very happy with this hand-sewn steek reinforcement. It is easy and relaxing to do, and doesn’t stretch the knitted fabric as machine stitching can do. No more machine-reinforced steeks for me from now on. Thank you for your advice Helga, Angelique and L.! And to all of you – thank you for reading on to the end!

Links:

  • Maja Karlssons cardigan book Koftor can be found here on Ravelry, and the Sundborn cardigan here. (It has been translated into English, German and Dutch.)
  • Lilla Hyttnäs is now a museum called Carl Larsson Gården. Although only Carl’s name is mentioned in the museum’s name, the museum’s website now pays equal attention to Carl and Karin.

Playing Pollyanna’s Game

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Hello, I hope you won’t mind listening to some of my knitting struggles today and perhaps giving me some advice. I also have the answer to a question one of you posed.

Knitting struggles and a game

When I’d finished the yoke and tried my Sundborn cardigan on, my husband said, ‘Isn’t it rather on the short side?’ Although I really didn’t want to admit it, he was right. And the sleeves were too long.

Looking at it and realizing I needed to rip out the entire yoke, I thought of Pollyanna, one of my Mum’s heroines. Faced with difficulties, 11-year-old orphan Pollyanna often plays the ‘just being glad game’ her father taught her. It’s about finding something to be glad about in every situation, no matter how bleak.

It started when Pollyanna was longing for a doll and hoping it would be in the missionary barrel for the poor. But when the barrel arrived she got a pair of crutches instead. The thing she and her father found to be glad about at the time was that she didn’t need them.

I think ignoring disappointment, pain, fear or anger and ‘just being glad’ is a terrible strategy. So, after a brief denial phase (‘The length is just fine and extra long sleeves are nice and warm’) I first vented my frustration (‘Nooooo, all those hours of knitting!’). And then I played Pollyanna’s game.

I’m so glad that:

  • I tried the cardi on before cutting the steek
  • the yarn unravels easily
  • there is enough yarn to make it longer
  • I quite like knitting
  • now that it’s unravelled I can start knitting again!

Advice welcome

After finishing the yoke for the second time, I’ll get to the stage where some advice would be welcome – the steeking.

In the pattern the stitches on either side of the centre stitch (which will be cut through) are reinforced by handsewn seams – a technique I haven’t used before. I have found several useful videos about hand sewing such seams and that’s clear to me. The problem is what yarn or thread to use.

The Dutch translation tells us to use ‘een gewone naainaald en draad’ (an ordinary sewing needle and thread/yarn). I think it means a thin sewing needle and machine sewing thread, but I’m not sure. Would that be the best choice? Or would using the yarn I’m knitting the cardi with be better? Or a thinner wool yarn? I’d be very grateful for any thoughts on this.

Answer to a question

Last week, after reading about my sock knitting basket, one of you asked, ‘What is that wooden thing that has the ribbing of your sock sticking through?’ Well, actually I don’t know what it’s officially called, either in Dutch or in English, but it’s a sock-knitting-needles-with-a-sock-in-progress-on-them-protector.

The wooden one was a free gift with a magazine some 45 years ago and I treasure it. My knitting student is now learning to knit socks and found two similar ones on Marktplaats (a sort of Dutch eBay). ‘Wooden sock knitting case’ or ‘Wooden sock knitting needle holder’ seem to give the best results in an online search.

I also have a cardboard one – from KnitPro if I remember correctly (in front of the wooden one in the photo above). It is okay, but not nearly as nice as the wooden one. For one thing, it is much narrower and really only suitable for very short double pointed needles. For another, it is easily damaged.

I don’t know if such wooden cases are still made, but if you can find one (new or second-hand), I’d say go for it. If you’re a sock knitter it’s something you’ll use and treasure for ever.

I’m so glad you stopped by today and hope to see you again next week!

Sock Knitting Basket

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Hello! Do you know Flemish singer-songwriter Raymond van het Groenewoud? He has a song called In mijn hoofd (Inside My Head). In it, he sings: ‘Inside my head everything is simple; Inside my head everything falls into place.’ And also: ‘Welcome, welcome inside my head (…) It’s great to dwell inside my head.’ It sounds incredibly zen.

Inside my head it is often like the current state of my sock knitting basket – overcrowded and tangled. From time to time, I dump everything out.

The contents of my sock knitting basket onto the dining table. The contents of my head onto paper (I now know that this process is actually called brain dumping). When everything is out in the open, a soothing inner voice says things like: ‘There, there. Have a cup of tea and you’ll see that it’s not as bad as it looks.’ After that it’s time to take a deep breath and sort things out.

Knitting tools go in a dedicated knitting tool basket, crochet things go in a crochet lace box, leftover sock yarn goes in with other sock yarn remnants.

Things I can do something about go in my Moleskine planner, ideas and question marks in various notebooks, and worries about things I can do nothing whatsoever about are sent back into the universe (the latter have a tendency to barge right back in at the moment, though).

My sock knitting basket yielded three hankies with crocheted lace around them and four pairs of socks. After darning in the ends and washing them, these are now ready to be used, given away or sent off. Among them these socks:

The yarn for these is Gründl Hot Socks Semila 4-ply. It’s one of those yarns that guarantee a matching pair of socks. It has a fluorescent green starter thread that tells you where to start for the first and for the second sock. In my experience, these yarns only work for shoe sizes 37-40 (UK 4-7, US 6-9). For smaller sizes the leg gets far too long and the toes are finished before you get to the special toe colours. And for larger sizes there just isn’t enough yarn. Another disadvantage is that with those starter threads a lot of yarn gets thrown away. Having said that, I think the effect can be very nice indeed.

Ah, that feels good. A tidy sock knitting basket with just one sock project and only the bare necessities in it.

And also a clearer head. For now.

If you like, you can watch and listen to Raymond van het Groenewoud singing In mijn hoofd while he is trying out a new guitar here. And find a description of brain dumping more or less the way I do it here. Thank you for visiting with me – it’s always lovely to have your company. xxx

Sundborn Colours

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Hello! I’ve been immersing myself in colour and it’s been such a joy that I thought I’d share this small journey here. It takes us to Sweden, but let’s start at the beginning. I was going to knit a cardigan from Maja Karlsson’s cardigan book. This one:

It’s a gorgeous design, but the colours – although exciting and very well balanced – are not ‘me’ at all. The cardigan is knit from Léttlopi, an Icelandic yarn that comes in many colours. Which ones to choose to make the cardi really mine?

The cardigan design is called Sundborn, after the Swedish village where painter Carl Larsson and his wife Karin lived in their home called Lilla Hyttnäs. In the introduction to the pattern, designer Maja tells us that the surprising colour combination was inspired by Karin’s textile art and would never have occurred to herself. She ends with: ‘Challenge yourself to try something different…’

I’ve visited Sundborn (twice!) and thought the photos might inspire me. This is the entrance to Lilla Hyttnäs:

The house is that typical Swedish red, with yellow, green and white accents.

It’s an utterly lovely house, but the colours are not something I’d wear. An outbuilding has a blue-grey door decorated by Carl himself with a wreath, the name of one of their children and the year it was finished (if I understand it correctly). I quite like that shade of blue.

Hmmm. Let’s look at the garden for some more inspiration.

More red, yellow, and green, and a bit of purple and orange as well. It’s such a nice and tranquil spot and the colours are wonderfully uplifting…

…but not exactly cardigan colours for me. Another approach then – leafing through a book with Carl Larsson’s paintings. Oh, his colour palette is so attractive. In the end I chose a painting of Karin – scissors in hand, her weaving looms to the left, lush green house plants everywhere and a pink flowering azalea in the foreground.

I thought of combining the pink of the azalea and the deep blue of Karin’s dress with the green of the plants, but it was too different for me. In the end I chose the mixed colour of the ruffle at Karin’s neck to go with the blue and pink.

I’m sorry Maja, I tried to take on your challenge, but I’m staying within my comfort zone. The colours I’ve chosen will go with just about all my other clothes and I’ll love knitting with and wearing them. It’s been fun looking around for different and exciting colours, though.

Now I can’t wait to get back to my knitting. Wishing you all you a lovely weekend and hope to see you again next week!

Colour Dominance in Stranded Knitting

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Hello! I was only going to write a short post today, about colour dominance in stranded knitting, but I seem to be incapable of writing short posts somehow. Looking through my photos I realize that there is much more to share. We’ve had some beautiful, clear, frosty mornings this past week, and I just have to show you a few pictures.

The railings of a bridge we crossed on one of our walks were covered in a furry white coat of ice needles.

There is a wafer-thin layer of ice on the smaller waterways. Daytime temperatures are far too high for a safe ice floor for skating on to grow.

But temperatures are low enough throughout the day for wearing mittens, and the Selbu mittens I’ve just finished come in handy.

Colour dominance in stranded knitting

The first time I knit a similar pair of mittens was long before the internet, and I didn’t have anyone to tell me how to go about it. While I was knitting them I discovered that it makes a difference how you hold your two yarn colours. I always hold one thread in my left hand and one in my right hand. I found out that the colour I hold in my left hand pops out/is dominant, while the one in my right hand forms the background.

I’ve knit a small swatch to show you what I mean. In the bottom half of the swatch below I held black in my left hand and white in my right hand. And in the top half it was the other way around, with white in my left hand and black in my right hand.

Makes quite a difference, doesn’t it?

So how does this work? Looking at the back of two-colour knitting, you can see that there is always one colour that takes the shortest route, while the strands or floats of the other colour sort of come up from under that and take a longer route. It’s the colour that takes the longest route that is dominant. Recapping:

  • If you’re holding one colour in your left and the other in your right hand, the left-hand colour will be dominant.
  • If you’re holding both of your yarns in one hand, the thing to do is look at the floats at the back of your knitting and find out which one takes the longest route – that’s the dominant one.
  • Keep the same colour in the same hand/position throughout your stranded knitting project for a consistent result.

For my Selbu Mittens, I wanted the black to really pop out, and held that in my left hand.

Different cuffs for men and women

Traditionally, Selbu mittens for men had cuffs with colourwork similar to that on the hands, whereas women’s mittens had either the zigzag cuffs I used or striped ribbed cuffs. Below, two pairs of women’s mittens in Selbu Bygdemuseum:

Which float to pick up for increases

While knitting these mittens I made another discovery – it makes a difference which float you pick up when increasing (M1L or M1R). For the thumb gusset below right, I picked up white floats for making a stitch, and for the thumb gusset below left, I picked up black floats. I don’t know if it’s very clear in the photo, but picking up white floats results in a kind of steps along the sides of the gusset (blue arrows), while picking up black floats gives a smoother line (red arrows).

What I’d do differently next time

This time, I used the same needles throughout. Next time I’d go down one or two needle sizes for the cuffs.

What I’m inordinately proud of

How the all-over pattern on the palm of the hand continues on the thumb, so that you can hardly see where I picked up the thumb stitches.

Pattern/yarn/needles:

Mittens are great little projects and I can see myself making more in the future. Do you ever knit mittens? What is your favourite pattern?

Large Copper

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Hello, hello, it’s good to see you! You’ve arrived right on time to join me for a walk. I’d also like to thank you, but we’re coming to that later. We’re in de Wieden again, part of the wetland nature reserve I’ve taken you to before. The path is a bit muddy but still walkable.

The landscape here has a limited colour palette at this time of year. There is the green of the grass and the blue of the sky (at least today).

But mainly it is, uhm, well, what would you call the colour of reed in winter? Tan, buff, sand, wheaten?

Yellow, golden, camel or brown? It depends very much on the light.

Here and there a spot of white is floating by…

… or standing still. It’s very quiet and peaceful, with just the honking of geese in the distance.

The only bright pops of colour come from the mosses and lichens.

And from the large copper.

Not a real one, obviously. It’s a felt large copper butterfly that travelled here in my inside jacket pocket. There are no real butterflies here in winter. Unfortunately, the large copper can’t be seen here in summer anymore either. It is still fluttering around in two nearby nature reserves, though, and my husband was able to take a few photos of it there last summer. It’s a vivid red-orange on top,

with white on the underside of its wings.

Beautiful, isn’t it? This particular species (Lycaena dispar batavus) doesn’t live anywhere else in the world anymore but in these two nature reserves. A precarious existence. It would be great if its habitat could be extended to the Wieden. Nature conservation organisation Natuurmonumenten is working hard to create the right circumstances for that to happen, protecting host plants and creating corridors for the large copper to fly along towards de Wieden.

By purchasing my Seventh Heaven scarf pattern, many of you have become supporters of their good work. I have now donated all of the proceeds from the pattern so far to Natuurmonumenten. On behalf of the large copper and Natuurmonumenten thank you so, so much for your contribution!

Links:

Same Pattern, Different Pullover

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Hello! Do you know that feeling? You’d like to be a little more creative in your knitting but don’t quite know how to go about it. Creativity is all good and fine, but you also want to end up with something that fits and looks good. I sometimes have spurts of creativity, designing my own patterns from scratch, but I also love to just follow an existing pattern. This time I’ve found a middle way between the two. Let me tell you about it.

Last year I knit a pullover for our grandson – the Vinterkonglegenser from the Klømpelømpe Four Seasons book.

It was a great success. The yarn is soft, the pullover fits well and our grandson loves wearing it. Now he’s almost grown out of it. So, I thought I’d knit another one exactly like it, from the same yarn, only a size up and in different colours. But then I thought, no, I want something a little more different – I’ll use different motifs in the yoke.

While I was adding a few rows to my Selbu mittens, I had the idea of using motifs from the same booklet the mittens are in:

The booklet is in Norwegian, but even if you can’t read Norwegian it’s a great source of inspiration. It contains a large number of charts that can be read by anyone, no matter what language they speak. If you’d like to get an idea of what’s inside, it can be found here on Ravelry, and you can leaf through part of it here. Not nearly everything in it is shown there, though.

Many (or perhaps all?) of the items in this booklet are replicas from the collection of the museum in Selbu.

Similar motifs can be found here. For our grandson, I chose the traditional snøkrystall (snow crystal) motif, and combined it with some smaller diamonds and triangles. I also used the tiny triangles along the sleeve and body ribbings:

Inserting your own yoke design into an existing pullover pattern is a fun thing to do. It’s a bit like doing a sudoku, puzzling with stitch numbers. You can use software, but ordinary graph paper and coloured pencils will do fine, too. You could follow these 3 steps:

  1. Copy the outline of the yoke chart from the pattern you’re using (same number of stitches and rows, but empty squares).
  2. Indicate where the increases (top-down pullover) or decreases (bottom-up pullover) are placed in the pattern.
  3. Now it’s time to play with motifs! What main motif would you like to use? Will it fit? Where? How could you fill up the rest of the space? (Keep in mind that the increases/decreases will distort the stitches to some extent. It’s best to have the increases/decreases in solid coloured rows or areas.)

I first designed my yoke on the computer (using Stitch Mastery), and then made quite a few changes while I was knitting it. Here is my messy design:

And here is the original yoke (left) next to my design (right). Apart from the yoke, I just followed the pattern – same pattern, different pullover:

The yarn shop where I got the yarn for both of the pullovers (Sandnes Tynn Merinoull) had an advent calendar in its window following the same principle – same pattern, 24 different pullovers. It’s a terrible photo with the opposite side of the street reflected in the glass, but I thought it fun enough to add here:

Why not give the same-pattern-different-pullover-approach a try, too? The possibilities are endless.

Selbu Mittens

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Hello! After a false start – with a mitten turning out too small – my Selbu mittens are now well under way. They have a star on the top and an all-over diamond grid pattern on the palm of the hand.

I’ll tell you more about them when they’re finished. First, I’d like to take you along to the Norwegian region where these black-and-white mittens originated. We visited Selbu during one of our many travels in Scandinavia, camping on the local campsite for a couple of nights, eating outside no matter what the weather.

Selbu is a community with about 4.000 inhabitants, some 70 kilometres south-east of Trondheim, the city with these colourful warehouses along the Nidelva river:

I love the rugged Norwegian landscape, with its wild rivers…

… and wide open spaces.

We pass many interesting dwellings…

…before arriving at the old rectory that houses Selbu Bygdemuseum.

The museum shares its premises with Selby Husflidscentral, that runs the shop, and organises tours of the museum as well as workshops and talks on Selbu knitting. The museum has a fabulous collection of knitted accessories,

including a large number of gloves and mittens.

Almost all of them are in black and white, and many (but not all) of them have star and/or diamond patterns.

I am talking of star patterns, but the Norwegians call them eight-petal roses, or also Selbu roses. No pair is the same, and some pairs have dates and/or initials knit into them.

Some of the mittens have very intricate patterns knit on very fine needles, while others are simpler and knit at a larger gauge. The ones I am knitting are something in between. There is much more to write about these wonderful mittens, but I’ll leave it at this for now.

If you ever have the opportunity, Selbu Bygdemuseum is definitely worth a visit. Until then, here are some links for further reading: